Email: finsland5@gmail.com
Why The Gays Are Jews!
Hey There Gay Dudes,
I really have to apologize for these articles.
"Thinking" is the VERY LITERAL EVOLVED antithesis of sex... and I fear I could annoy you on this very fine website... even if the weekly articles could be interesting elsewhere.
OH WELL! HERE'S ANOTHER!
I'll be quick to the point.
The Gays literally became Jews the second we died right beside them. And they were the more powerful association.
Let me then now win this argument by default.
Okay then? Everyone agreed now?
I have over the years however learned that winning a debate is not sufficient enough of a task.
If it is to do any good... it has to cause a change in reality as well.
So now I'll try and make The Gays into official Jews the only way I could think of...
Convincing prominent Jews of the claim that we gays are literally their own now. That seems like a functional defintion enough!
And the way I... as a scientist... think I could maybe one day reach such individuals is by first explaining a mystery of concern to their affairs.
(Lesson to the gays reading. Never ask for sympathy directly from anyone. You most likely never will get if heard thats only the reason you are talking alone. I don't have time to deal with that one though... I want to actually fix things.)
And the mystery I will then explain as an analyst... is why J.J. Abrams and Bad Robot... create what is often considered the "lesser" version of classics they are trying VERY VERY hard to replicate.
So they can fix it.
For us all.
For us all.
I know thats often backwards logic... to criticize at all and expect an ear of any kind.
But the gays often fail in society by not doing well in the rough and tumble world that is the straight one. (Honestly because I think their media does not connect to our brains.)
So since I think I can win this boast (like really)... this is the route I have chosen to take.
So then...
....in order to understand J.J. Abrams and Bad Robot... I think the best way is to listen to the subject himself.
J.J. Abrams self autobiography was NOT in any way called.... 8mm.
In fact it was instead called...Super 8!
And what can this tell us about the filmmaker?
It's that he's been doing this for a very, VERY long time.
So long in fact... it is one of the reasons that he is famous!
You work at a field long enough, you can become an expert in it... and J.J. Abrams is a known undenied expert!
So now that J.J. is literally this guy answering the question about what he loves about his field...
...where does that end... with a product that often does NOT beat the originals!!
And the reason I believe is that QUALITY... can serve NO OTHER MASTERS!
And J.J. Abrams I think is working in a field that now requires that... nearly constantly.
The Bad Robot Team is a vast range of interconnected individuals in the filmmaking industry working together under a united leadership to finish just one product! An artpiece that has economic value.
Because of this feature... I believe one can "reverse read" a room and their descisions.. in order to figure out what was going on when you were never around to see it at all!
And as an outsider looking in... I believe one of the ways a vast project like a huge blockbuster can meet all the various goals it has... gender/race casting.... franchise long term viability... etc... all under budget... is to be VERY flexible in a product design as it moves forward through its various stages.
And who are the most flexible at creating such art?
Directors like J.J. Abrams... and industry titans like Disney!
They create these "art products" like a science!
Capitalism has driven them to do so!
And since "versatility" ;) is I believe one of the "keys" to creating successful art in hollywood... this matrixed industry of different tasks and responsibilities and decisions is I believe the major culprit in the end for the "lesser" art.
Art just can't be created this way... pushed to economic infinity efficiency and still result in the same level of quality.
This is how not a single shot EVER in a J.J. Abrams picture can be anything but gorgeous... but the overall end product often doesn't succeed over those it descended from. Infinite vision was traded off for infinite flexibility.
To better explain what I mean... let me use an example from the movie Jurassic Park 3. Now this movie was unusually written ON SET while filming... which if I'm not wrong is unusually reserved for comedies only.
And I swear...at a key narrative junction... one of the character's eyes go all black. (The hot young guy in the pterodactyl facility.)
To "reverse the room" here... it looks like the plot could have gone either way here at one time... but in production the narrative was switched to have the character "stay good" and not "turn" on the others.
But the point here is that I can assure you "if" there is a Platonic Ideal perfect version of Jurassic Park 3.... it can NOT ususually be arrived at by a plot structure too designed for efficiency junctions of plot choice like Jurassic Park 3 literally was... and can be evidenced in quality for doing so!
Infinity flexibility choice does not equal infinity vision... by definition!
And that's whats going on again and again and... again!
No one can make the best coherent film if it is INTENDED that half the ideas or possibilities are left on the cutting room floor! No one can SEE throughout the entire process what it is "all about" that way.
It's too variable what you are creating... for anyone!
To use a J.J. example.... the scene with Han Solo and the pirates in The Force Awakens... which I believe is a "Ravager" inspired scene to start.
I believe all of this... what with its heavy diversity casting... in a special effect scene not related to the overall narrative...
...is indicative of a scene that was debated to ever be included at all.
To have it filmed and have ready to go however... let alone chosen to go forward with into the final cut... indicates a level of infinity planning that HAS to have sacrificed overall goals to have even ever existed in the first place.
So what can fix this though?
I usually am too liberal to ever like company "morality" doctrines... usually such lists are just too fake to ever take seriously. But since it SHOULD be being done anyways... the goal of any art NEEDS NEEDS NEEDS to be.... to beat the originals that came before it!!! Always!!!
You might not succeed... but it HAS to be there!
But when I see Disney greenlight movies like The Dial of Destiny... I know literally that EVERY executive involved... knew their budget would NEVER beat the originals.
Its just that... you don't have to beat the originals... to create a profit in this franchise! You see!!?
0_0
And that's when those in the industry start to look like this lady...
...instead of the artists they once started as. Tired of work after many years in front of children...
And so when fans ask... why the newer films aren't better decades later.... well its actually as easy as... that it always was intended to be that way all along!!
It's just less risky that way... to shoot a little lower.. and create a rubix cube to edit in post to whatever overall style they want later!
Oh well!
Answer solved!
Never start what isn't intended to be the newest bestest... and the art will most often be better for it!
However that's just how its done too often in the industry!
The first artistic goal after being told to continue a franchise is... "What should it still say as a unified series?"
Now I know the goal in Star Wars was instead nearly a blank check to restart the franchise...but it still sort of didn't work out the best that way.
Restart the "rebel" feeling... by any means necessary... was the drive that interceded with "series coherency".
The last 6 movies which got us here... just can't be functionally deleted so quickly... without losing the narrative drive that gets a lot of the audience into their seats decades after decades later.
And it was nearly ALL decided with that brief cuttable scene of nearly half of ALL the republic dying early on!
And such the like was done with their infinite flexibilty planning system.. over and over again.
Should Han Solo die or live?
Who should the overall villain be?
Which side characters should be focused on?
All and countless others I believe were decided ... in post or nearly!
But you just can NOT be shifting your overall product design with your audience THAT WILDLY ... THAT LATE!
That's like artistically asking if Luke Skywalker should be evil or not... and then saying 10 days before release... you can go with either Edit Cut A.... or Edit Cut B... and the oucome will be the exact same...
...as art... or to your audience.. or even to your overall profits!! It just won't!
No... vast ranging important style decisions should have been made and KNOWN well in advance!!!
Because the theme and style of the best art should be KNOWN well in advance as well.
Again Star Wars won't out do the originals until the storytelling is not taking its infinite shortcuts of creating "any movie first" to reach deadlines and budgets... before editing the behemoth down into the overall finished product later.
Know who lives and dies at the start of filming your trilogy...
...rather than every budgeted step along the way.
And it sort of HAS to work that way artistically for a vision to be created well... even if such is met by fierce resistance by those who have to create it functionally.
If you never know where you are going overall... you never can reach it there it the best. And that's how flexibilty detracts from quality by planning in advance that all decisions can be decided later... and thus leaving no major focus or theme to guide overall during creation.
Okay so now that I feel that I've explained why Bad Robot routinely creates what is "lesser quality products" than what Amblin did so many years ago... they are the best infinity style advanced planning filmmakers in the current industry... and sacrifice overall narrative messaging of a series in order to achieve it...
....I will now try and use the good will I have created with The Jews by slamming their art... to parlay for their favor to save The Gays.
Historically... The Jews did not adopt the gays after World War II. In case you did not know. :p
And there are many reasons for that.
Besides religious intolerance... and sexual awkwardness... the gays are one the single ugliest class of individuals to exist.. as we are literal biological gender mutants. Or what the world better knows as... freaks!
No one wants to assist us!
The gays still to this day will go on t.v. and look visually bizarre... because of their beliefs that looks do not matter!
Who wants an ally that acts like that? NO ONE!
Certainly not the jews in 1950.. and certainly not the jews now! That's who!
But it was "us" gay freaks were not given land and a nation... as a way to fix the evils of the war of which they were also sought out for execution.
"Us" freaks were instead left in the cells that existed during the war... long after it ended.
But morally... The Jews and Gays became one and the same... the day we died next to each other... for no other reason but convenience to others.
Because to care about one's OWN group in such a situation... neccesitates caring about all others who found themselves exactly there as well. Because there is no difference between humans at that level any longer.
Certainly its not in the genes.
We are all just the same.
The Gays are one of the weakest associations however. Due to whether its... not directly interacting with the next generation of our own... or through our decidedly "kill worthy" looks... the gays can not built a lasting civilization of our own alongside our straight friends after nearly all the hundreds thousands of years of our evolution.
So when The Jews have their act together in today's society... like woah... it then becomes the situation... that I believe they should morally decide to look out for those who were never able to recover nearly as well for reasons out of their control. And The Gays certainly need a big brother looking out for us... that we have never ever had.
The Jews certainly didn't choose the gay freak babies that were left on their doorstep... but nothing can ever change the fact that they were indeed still left there.
And if you did not know... The Jews can coordinately do a lot!
And not just kill off billions fictionally to teach us all a lesson!
J.J. Abrams- Star Trek- The entire city of S.F.- Dead!
J.J. Abrams -Star Wars- A dozen or so entire worlds-Dead!
The Russo Brothers -Marvel- Half the universe- Dead!
Sam Raimi -Marvel- Full universe- Dead!
I believe... they also could officially get The Gays... the easy assitance we need.. if they even just briefly turned their gaze toward us with the abilities they have. And not just by background diversity casting either...as the befuddled straights seem to not know what else to do for us in our current society.
A "people" need a lot to hold themselves together... and the gays are just not the best at it... and need honestly a lot of "tough love" advice. Why not have it be from those who do it better? Often already on our same political side?
But besides an official BFF status... we still could use the reach of those far better integrated into the world than we.
Things like... all 1 gender versions of every novel ever... Gone With The Wind... to Game of Thrones.... could solve a lot of our issues in an instant! An A.I. could do it in just seconds.. we just need the will of few leaders to fund such an easy iniative!
Regardless... an outside ally... that really has the means and will to look at what needs "fixing" for the gays to finally function well in society... theirs or any other... is what we could sorely use.
Fate entertwined our futures.
It was through great tragedy... but that fact can still never be denied.
If you would like to read additional fiction or nonfiction... please check out www.finslandofgayart.blogspot.com.
Thank you!